The first selection is the very famous Krishna Nee Bhegane sung with a great deal of devotion by Sri. K.V.N. One can notice certain tabla phrases which, Sri. Raghu has incorporated into his accompaniment to bring forth a certain aesthetic relevant to rendition.
The second piece also from the same concert is Sri. Venugopala in raga Kurunji. Though, this piece is also a concluding number of a concert, one can find it is quite different to Krishna Nee Bhegane in its tempo and feel. The kalapramanam is quite tricky... but, Sri. Raghu has presented a wide range phrases in "mishra nadai" or a pulse of seven to fit the song. At 2'22, Sri. Raghu's playing highlights the tempo of the song, which is very unique and one can see his grip over the laya, or rhythm, yet he does not disturb the path of the song.